Thursday, September 8, 2011

How I lost my Ilocano and Bicolano, the Star-Spangled Banner in Pilipino



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SAN FRANCISCO—Of all the comments and criticisms my column on language received, one stood out for me: That the whole debate over James Soriano’s essay and on the roles of English and Pilipino in the world of Filipinos has been too focused on Tagalog.
I agree.
As my friend Rupert Aparri wrote on my Facebook page, “I’m Waray and very fluent in Tagalog, Cebuano and English. The Tagalogs also have a lesson to learn here. Dili ra isa ang sinulti-an sa mga Pilipino” – “Filipinos don’t just use one language.”
So true.
In fact, many Filipinos don’t even speak just two languages.
Remember what I said about young Filipino Americans who were disappointed that their parents never exposed them to Pilipino?
Well, I have my own frustration. My father didn’t expose me to Bicolano. My mother didn’t teach me Ilocano.
My parents are both trilingual. So is my wife, who is competent in Waray. I’m just plain old bilingual.
So the headline isn’t even accurate. I never lost my Ilocano and Bicolano. I never had them!
And it would have been great to have them in my writer-journalist toolbox. In fact, I think young Filipinosshould be encouraged to learn at least one Philippine language that they don’t already speak. Tagalogs should learn Cebuano. Cebuanos should learn Ilocano…etc.
If I were still in college, I’d take on Bicolano and Ilocano so I could dig deeper into my family’s roots. I think I’d also be inclined to study Ilonggo, because I think it’s the most musical of our languages.
But for practical and professional reasons, I’d probably go with Cebuano.
For that would truly widen my range as a journalist, allowing me to cover more of the archipelago, from business and cultural centers in Cebu and the rest of the Visayas to the remotest parts of Mindanao.
That’s what several of my friends are capable of doing. And they have names such as Ratcliff, Gershman, Goertzen and Waite. No, they’re not Filipinos. They’re white Americans, who, as missionaries and academics, became fluent in Cebuano.
Compared to me, they probably have a better chance of navigating and surviving the streets of Davao andGeneral Santos. How crazy is that!
I’m exaggerating, of course.
As my friend Rupert also said: “In situations where Filipinos do not understand each other’s regional languages, they shift to Tagalog.”
“Our national language is still ‘emergent’ with Tagalog as its foundation,” he continued.  “Only those not easily reached by mass media do not have — at least — a passive comprehension of Tagalog. It is the language of Eat Bulaga, of ‘Filipino’ movies, of radio dramas, of TV soap operas with millions of Filipino fansall throughout the archipelago.”
One way or the other, Pilipino has caught on. In fact, it has grown stronger by drawing on the strengths and influences of other languages and cultures, from Cebuano to Ilocano to Kapampangan, to street slang, gayspeak, showbiz talk, and even texting.
Pilipino is alive!
And it has even been enriched by the Filipino experience in America.
After all, the word “Pinoy” first referred to working class Filipinos who migrated to the U.S. in the early part of the 20th century.
It wasn’t exactly a name every Filipino readily embraced.
In fact, as San Francisco State University Prof. Dawn Mabalon told me, Filipino immigrants who came later, mostly middle class professionals who moved to the U.S. in the 60s and 70s, disdained the term, thinking it was low-brow, bakya, demeaning.
But the name stuck. Largely because young FilAms in the 1960s and 1970s claimed it, owned it, celebrated it. And now we all use it.
Today, ‘Pinoy’ is one of the ways we call ourselves.
In fact, we can learn a lot from the FilAms on how to wield language as a powerful tool, as a way to assert our story as a people, to claim and celebrate our identity.
When I moved to California, I came across student organizations with such names ‘Pilipino American Collegiate Endeavor’ and ‘Pilipino American Student Association.’
At UC Berkeley where I went to grad school in the early 90s, there was even a group called ‘Pilipino American Network of Graduate Insurgents’ — or Pangit for short. (I guess they were having trouble recruiting new members — the group was later renamed Pag-Asa, for ‘Pilipino American Graduate Student Association.’)
Why do all these groups use ‘Pilipino,’ not ‘Filipino?’
Because FilAms longs ago decided that that’s the way it should be spelled. The immediate reason was because there is no “F” in the Tagalog alphabet. It’s their way of being true to Pilipino, the Tagalog-based national language of their parents and grandparents.
A bigger reason was political.
In the 1970s, as part of the U.S. civil rights movement, young FilAms, joining other Asians, Latinos and African Americans, fought for the right to explore on college campuses the history of their respective communities.
The FilAms proclaimed themselves Pinoys. They called themselves Pilipino. And young FilAms still refer to themselves that way.
Every year, thousands of them on campuses across the U.S. West Coast and beyond hold the PCN — short for ‘Pilipino Cultural Night.’
Think of it as a combination of ASAP and a PETA (Philippine Educational Theater Association) play, a heavily produced variety show featuring hip-hop songs, folk dances, including the tinikling, as well as serious dramatic skits and presentations on social and political issues in the U.S. and the Philippines.
Folk singer Joey Ayala, who lived briefly in the Bay Area, was, in fact, impressed with the love of Filipino Americans — many of whom still adore him and his music — for Filipino culture.
“I was touched,” he told me five years ago. “Maraming marunong mag-kulintang. Maraming marunong mag-arnis (Many played the kulintang. Many knew arnis).”
Joey may have even caught the FilAm subversive spirit — the drive to claim key cultural elements of the American experience and use these to explore the Filipino experience in America.
In a creative act that caused quite a bit of a stir among some Filipinos in the U.S., Joey recorded his own version of ‘The Star-Spangled Banner,’ the U.S. national anthem – in Pilipino.
The lyrics spoke of the Filipino American journey, from the Philippine-American War to the ongoing struggles of Filipinos as a major immigrant community. The final verse goes:
“Sa tulay ng digmaan, tayo’y tumawid
Nagsumikap mabuhay at umibig
Tayo ngayon ay naririto
Mga dayong katutubo
At sa lupang bagong hirang
Kasaysaya’y pinapanday.”
(“Over the bridge of war we crossed
Endured, lived and loved
Here we now stand, migrant natives all
In this newly-chosen land, we forge our history.”)
Dennis Normandy, a respected Filipino American community leader in San Francisco, was so offended by the song when I played it to him that he told me, “It’s terrible. It is not true to the original anthem. … This is unconscionable.”
Joey meant no disrespect. In fact, he said, he wrote the song because he fell in love with the tune of “The Star Spangled Banner.” “Ang ganda ganda ng tono. It’s a beautiful melody.”
FilAm poet Oscar Penaranda praised the song, and the way Joey made it relevant to Filipino Americans.
“He made it a personal song,” Oscar said. “He made it part of his journey,” an exploration of  “what a Filipino means in the Philippines, and what a Filipino means in the Diaspora.”
And you’d probably agree with Joey that it is a beautiful tune. And that he made it even more meaningful with lyrics in Pilipino.
On Twitter @KuwentoPimentel. On Facebook at www.facebook.com/benjamin.pimentel

The transnational/binational Filipino diaspora



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When I was lobbying Rep. Teddy Locsin to support the Overseas Absentee Voting Act in January of 2003, I recall the explanation he gave to his opposition to granting suffrage to overseas Filipinos — “they abandoned the Philippines.” On the contrary, I protested, it is the Philippines who abandoned them by not providing them with jobs and by “pushing” them to work abroad in order to remit billions of dollars to support the Philippine economy. In the past decade alone, more than one million Filipinos a year were deployed to work abroad.
But another problem with Locsin’s argument is that he viewed residence in the Philippines as limited to presence within the geographic boundaries of its 7,108 islands (7,116 if you count the islands in the Spratlys that are within its Exclusive Economic Zone). What Locsin failed to appreciate is that the concept of the Filipino diaspora has vastly expanded those space boundaries.
Diaspora, from the Greek word for scatter, once referred exclusively to the Babylonian dispersal of the Jews from Israel but is now used widely to describe other historic mass dispersions of people with common roots, including the more than 11 million Filipinos in the Diaspora.
According to the July 2004 statistics of the Commission of Filipinos Overseas (CFO), there were 8.08 million overseas Filipinos scattered in 214 countries — almost 23% of the total 35.83 million in the Philippine labor force during the same period. About 3.59 million, or 44%, were contract workers (OFWs) expected to return to the country upon the termination of their foreign employment; 3.18 million, or almost 40% were foreign immigrants; while 1.29 million, or 16%, were undocumented and overstaying in their host countries.
In his 1998 book, “Imagining the Filipino American Diaspora: Transnational Relations, Identities, and Communities”, University of Hawaii Prof. Jonathan Okamura suggested that Filipinos should be considered not as an ethnic minority in the United States but as a diaspora because of their “significant transnational relations” or linkages to their homeland.
“Diaspora represents such a new conceptual image with which to map the re-territorialization of space quite apart from the usual coordinates based on physical location, territory and distance,” Okamura asserted.
In other words, diaspora challenges long held concepts about nation, culture, identity and place. As people move from one nation to another, Okamura explained, they “take their cultures, customs, and ethnic/racial identities with them and thereby create and extend the social space of the diaspora.”
In her blog, Oward Bodie disputed Okamura’s description of the Filipino diaspora as an “imagined community” adopting the concept of Benedict Anderson. Bodie contended that “unlike the traditional nation-state, the diasporic population often fails to constitute a viable body politic; more than just difficulty in imagining itself as possessing real political power, the Filipino diaspora also has a historical susceptibility to marginalization, either in the home country or the adopted one. This sense of liminality often creates dangerous slippages.”
Bodie cited the Singapore execution of domestic helper Flor Contemplacion in 1995 as an example of the “marginalization” of the overseas Filipino workers (OFWs) the government failed to protect.
The problem with Bodie’s critique of Okamura’s thesis is that she failed to note the significant difference between overseas Filipinos, including Filipino Americans, and OFWs, who are both part of the Filipino diaspora.
Unlike OFWs, overseas Filipinos in the US –specifically permanent residents and naturalized US citizens – have soared beyond marginalization to become a politically empowered community. In Okamura’s home state of Hawaii, Benjamin Cayetano, the son of a Filipino farmworker brought to Hawaii in 1924, was elected governor in 1994. In California last November, Tani Cantil-Sakauye, the daughter of Philippine immigrants, was overwhelmingly confirmed by California voters as the state’s Supreme Court chief justice.
This significant distinction was grasped by Sorbonne French Prof. David Camroux, who wrote “The Philippine State and the Filipino Diaspora” where he examined the “transnationalism” of different kinds of overseas Filipinos, “in the sense of varied and diverse rootedness that the diasporic communities experience.”
Prof. Camroux asked: “Does a dual citizenship Filipino-American, for example, feel a sense of dual loyalties and allegiances, a kind of dual nationalism, concomitant with his/her dual citizenship? Or what is the sense of identity and loyalty for someone who is simply an American citizen, but who feels a “home” is elsewhere?”
These questions caused Camroux to introduce the concept of binary nationalism to better understand the Filipino diaspora.
“By binary nationalism,” Camroux explained, “it is suggested a double mirrored identity in which a sense of one identity is contingent on a sense of the other, leading to dual – and indeed multiple – senses of non-exclusive loyalties. Such binary nationalisms would seem to preclude the transcendence of nation that transnationalism should logically imply, while at the same time not being anathema to rooted cosmopolitan ideals of global citizenship.”
An example of this “binary nationalism” was on display on July 8 when hundreds of Filipino-Americans – members of US Pinoys for Good Governance (USP4GG) – demonstrated in front of the six China consulates in the US to protest China’s incursion in the Philippine-owned islands of the Spratlys where China seeks to extract $50 billion worth of oil annually.
Even Filipino Americans who were born in the US ardently participated in the protest actions as they identified with their parents’ homeland, joining the chants of “Our soil! Our oil!” as they waved US andPhilippine flags. They too are part of the Filipino diaspora.
The First Global Summit of Filipinos in Diaspora is set to meet on September 27-29, 2011 at the PhilippineInternational Convention Center (PICC) in Manila with the theme: “Diaspora to Development”. Summitorganizers include the CFO, the National Federation of Filipino American Associations (NaFFAA), USP4GG and other networks of overseas Filipinos in Europe, Middle East and Asia. For more information, log on to: www.cfo.gov.ph.
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